Nick Albertson, White Light 20, 2018
laminated archival inkjet print mounted to dibond
40 x 50 in     101.6 x 127 cm
​edition of 5

Iris Bernblum, I'll be here, 2015
stringed lights with sound installation
​dimensions variable (next to Cathy Hsaio's The Bathers)

Phyllis Bramson, Foolish Reasons to be Happy (for DT), 2018
mixed media and collage on canvas
36 x 36 in     91.4 x 91.4 cm

Phyllis Bramson, Happiness (for SO), 2018
mixed media on canvas
42 x 36 in     106.6 x 91.4 cm

Díaz Lewis, Unfamiliar Setting, 2018
embossed lint comprised of hair, skin cells, dust, and clothing fibers in custom acrylic box
20.5 x 26.5 x 2.5 in     52 x 67 x 6.4 cm

Matthew Girson, Expressionistic Painting, 2018
oil, alkyd, enamel on aluminum
32 x 42 in     81.2 x 106.6 cm

Matthew Girson, Expressionistic Painting, 2018
oil, alkyd, enamel on aluminum
42 x 40 in     106.6 x 101.6 cm

Cathy Hsiao, The Bathers, 2018
ink, acryilic, indigo natural dye on canvas
40 x 26 in     101.6 x 66 cm

Kuras & MacKenzie, Karl Marx Disco Ball (Bomp, Bomp, Bomp), 2015-2019
foam, mirrors, and metal
16 x 19 x 19 in     40.6 x 48.2 x 48.2 cm

(left to right) Díaz Lewis, Kuras & MacKenzie, and Matthew Girson

Gonzalo Reyes Rodriguez, 1 month, 35 years ago (Vistazo No. 383 Agosto/83), 2015
3 archival inkjet prints
20 x 24 in     50.8 x 61 cm each (three elements)