Currently at ENGAGE Projects
Introducing ENGAGEMENTS!
We are excited to announce our newest venture ENGAGEMENTS, an intimate, salon-style gathering hosted by Director Jennifer Armetta. Redefining the conventions around art discourse, Jennifer will host a series of gatherings in an offsite location to view works from her private collection as well as available works by ENGAGE artists. The gatherings will be a time for artists, curators, collectors, and enthusiasts to connect with old friends and new in an effort to build on Chicago’s lively art landscape. Click here for more information!
Now Representing Phyllis Bramson
ENGAGE Artists Exhibitions
A Tender Spirit, A Vital Form: Arlene Burke-Morgan & C. Morgan
Katherine E. Nash Gallery | University of Minnesota
January 17 - March 18, 2023
Katherine E. Nash Gallery | University of Minnesota
January 17 - March 18, 2023
Expressions: Works on Paper by African American Artists
The Flint Institute of Arts
Morgan
January 12 - April 16, 2023
The Flint Institute of Arts
Morgan
January 12 - April 16, 2023
Sweeping Up The Shadows
Carolyn Glasoe Foundation
Aaron Spangler
November 12, 2022 - February 25, 2023
Carolyn Glasoe Foundation
Aaron Spangler
November 12, 2022 - February 25, 2023
no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria
Whitney Museum of American Art
Edra Soto
November 23, 2022 - April 23, 2023
Whitney Museum of American Art
Edra Soto
November 23, 2022 - April 23, 2023
ENGAGE Artists News
Yo Soy Museo: Embodying the Museum
Alberto Aguilar interviewed in The Latinx Project
Alberto Aguilar interviewed in The Latinx Project
Museums are everybody
Alberto Aguilar featured in the Chicago Reader
Alberto Aguilar featured in the Chicago Reader
Best Art of 2022: no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria
Edra Soto featured in The New York Times
Edra Soto featured in The New York Times
no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria
Edra Soto featured in the New York Times
Edra Soto featured in the New York Times
