DÍAZ LEWIS
30 Coats, 2018, sculpted dryer lint comprised of hair, skin cells, dust, clothing fibers, with iron and wire rods, 31 x 24 x 18 inches 78.7 x 61 x 45.7 cm
30 Coats, installation image from Díaz Lewis at Samek Art Museum at Bucknell University, April 2018
Unfamiliar Setting 2, 2017, embossed lint comprised of hair, skin cells, dust and clothing fibers in a custom acrylic frame (frame not depicted), 20.5 x 26.5 x 2.5 inches 52 x 67 x 6.4 cm
Unfamiliar Setting 4, 2017, embossed lint comprised of hair, skin cells, dust and clothing fibers in a custom acrylic frame (frame not depicted), 20 x 30 x 2.5 inches 50.8 x 76.2 x 6.4 cm
34,000 Pillows, 2016, (collaboration with Cara Megan Lewis as Diaz Lewis), at Home Land Security, curated by Cheryl Haines with For-Site (image courtesy of Robert Drivers Herrick)
34,000 Pillows, 2016-ongoing, used/donated clothing made into pillows (conceptual drawing)
34,000 Pillows, 2016-ongoing, used/donated clothing made into pillows
A Dream Deferred, 2015, 2 channel HD/8mm video installation (video stills), edition of 5
A Waiting, April 10, 2015, 2015, still from a performance in West Loop neighborhood of Chicago, IL
Cul de Sac, 2014, single channel HD video installation (video still), edition of 3
